New Orleans & Other Southern Delights

The UkeQuestors

February, 2020

New Orleans & Other Southern Delights Songbook 2020 (PDF)

 

The season of Carnival begins after the Festival of the Epiphany, the coming of the Kings, January 6, and concludes on Shrove Tuesday (also known as Mardi Gras, that is "Fat Tuesday"), the day before Ash Wednesday (the beginning of Lent), which varies from year to year.

The first Mardi Gras celebrations held in the United States were in Mobile, Ala., which in 1702 was the first capital of French Louisiana and which saw in the following year the first organized Mardi Gras celebrations. In 1723, the capital of Louisiana was moved to New Orleans (founded in 1718). The first Mardi Gras parade in New Orleans is recorded to have taken place in 1837.

 

Song

YouTube Link

Baton Rouge by Guy Clark

Baton Rouge by Guy Clark

Blue Bayou (Roy Orbison & Joe Melson, ca. 1963) (A, F & G)
First sung and recorded by Orbison, who had an international hit with his version in 1963, the cover by Linda Ronstadt went to #3 on the Billboard Hot 100, as well as #2 Country and #3 Easy Listening charts. It also reached #2on the Cash Box Top 100 chart. It was the first of Ronstadt's three Gold singles. Blue Bayou, Wikipedia.

Blue Bayou by Roy Orbison (1963)

Blue Bayou by Linda Ronstadt (Official Music Video)

C’est La Vie by Chuck Berry

aka "Teenage Wedding"

You Never Can Tell by Chuck Berry (1964)

C'est La Vie by Emmylou Harris (1977)

City of New Orleans by Steve Goodman (ca. 1971)
Goodman's description a train ride on the Illinois Central Railroad's "City of New Orleans" in bittersweet and nostalgic terms. City of New Orleans (song), Wikipedia.

City of New Orleans by Steve Goodman (1971)

City of New Orleans by Arlo Guthrie (1972)

City of New Orleans by Arlo Guthrie, Live with Pete Seeger at Wolftrap, August 8, 1993, with a brief introduction of how Arlo first heard this song.

City of New Orleans by Willie Nelson (1984)

City of New Orleans by The Highwaymen performing during "American Outlaws: Live at Nassau Coliseum," 1990.

Diggy Liggy Lo

Diggy Liggy Lo by Rusty and Doug Kershaw (1961)

Diggy Liggy Lo by Doug Kershaw (1969)

House of the Rising Sun

House of the Rising Sun by The Animals (1964)

Jambalaya by Hank Williams

Jambalaya by Hank Williams (1950)

Jambalaya by Creedence Clearwater Revival

Jambalaya by Emmylou Harris

Johnny B. Goode by Chuck Berry

Johnny B. Goode by Chuck Berry

Lady Marmalade

Lady Marmalade by LaBelle (1974)

Lady Marmalade by Christina Aguilera, Lil' Kim, Mya, Pink from "Moulon Rouge"

Me and Bobby McGee by Kris Kristofferson

Me and Bobby McGee by Kris Kristofferson (1969)

Me and Bobby McGee by Roger Miller (1969)

Me and Bobby McGee by Kenny Rogers and The First Edition their album "Ruby, Don't Take Your Love To Town" (1969)

Me and Bobby McGee by Gordon Lightfoot (1970)

Mr. Bojangles by Jerry Jeff Walker
Walker has said he was inspired to write the song after an encounter with a street performer in a New Orleans jail. While in jail for public intoxication in 1965, he met a homeless man who called himself "Mr. Bojangles" to conceal his true identity from the police. He had been arrested as part of a police sweep of indigent people that was carried out following a high-profile murder. The two men and others in the cell chatted about all manner of things, but when Mr. Bojangles told a story about his dog, the mood in the room turned heavy. Someone else in the cell asked for something to lighten the mood, and Mr. Bojangles obliged with a tap dance.  Source: Mr. Bojangles, Wikipedia.

Not to be confused with Bill "Bojangles" Robinson (May 25, 1878 – November 25, 1949), an American tap dancer, actor, singer, and the best known and most highly paid black American entertainer in America during the first half of the twentieth century. Source: Bill Robinson, Wikipedia.

Mr. Bojangles by Jerry Jeff Walker (1968)

Mr. Bojangles by The Nitty Gritty Dirt Band (1970)

Proud Mary (John Fogerty, 1968)
In a 1969 interview, Fogerty said that he wrote it in the two days after he was discharged from the National Guard.
     "Proud Mary's" singer, a low-wage earner, leaves what he considers a "good job," which he might define as steady work, even though for long hours under a dictatorial boss. He decides to follow his impulse and imagination and hitches a ride on a riverboat queen, bidding farewell to the city. Only when the boat pulls out does he see the "good side of the city" — which, for him, is one in the distance, far removed from his life. Down by the river and on the boat, the singer finds protection from "the man" and salvation from his working-class pains in the nurturing spirit and generosity of simple people who "are happy to give" even "if you have no money." The river in Fogerty and traditionally in literature and song is a place holding biblical and epical implications. ... Indeed, the river in "Proud Mary" offers not only escape but also rebirth to the singer.
From the liner notes for the 2008 expanded reissue of Bayou Country by Joel Selvin. Proud Mary, Wikipedia; John Fogerty: On “Proud Mary” 50 Years On, American Songwriter.com.

Proud Mary by Creedence Clearwater Revival (1969)

Proud Mary by Creedence Clearwater Revival live at Woodstock (1969)

Proud Mary by Ike & Tina Turner (1971), reached #4 on the Billboard Hot 100 and won a Grammy Award. Fogerty had never heard their version, which starts slow and then gets seriously funky, until it was released. He was thrilled by it.

St James Infirmary Blues (aka "Gambler's Blues")

A song of uncertain origin, by 1930 at least eighteen different versions had been released. The lyrics are often changed and there is frequently a lengthy instrumental introduction. The version performed by Arlo Gutherie is closest to these lyrics.

Tunes and two sets of lyrics mentioned by Carl Sandburg in his 1927 work, The American Songbag, Those Gambler's Blues.

St. James Infirmary Blues by Arlo Gutherie (lengthy introduction; song starts at 2:37)

St. James Infirmary Blues by Louis Armstrong And His Orchestra (1928)

St. James Infirmary Blues by Cab Calloway (1930)

St. James Infirmary Blues by the Preservation Hall Jazz Band

The Battle of New Orleans by Jimmy Driftwood (1958)
The Battle of New Orleans was fought on January 8, 1815 between the British Army under Major General Sir Edward Pakenham and the United States Army under Brevet Major General Andrew Jackson.

The melody is based on a well-known American fiddle tune "The 8th of January," which was the date of the Battle of New Orleans. Jimmy Driftwood, a school principal in Arkansas with a passion for history, set an account of the battle to this music in an attempt to get students interested in learning history. It seemed to work, and Driftwood became well known in the region for his historical songs. He was "discovered" in the late 1950s by Don Warden, and eventually was given a recording contract by RCA, for whom he recorded 12 songs in 1958, including "The Battle of New Orleans." Source: Battle Of New Orleans, Wikipedia

Battle of New Orleans by Johnny Horton (1959)

Battle of New Orleans by Johnny Horton on the Ed Sullivan Show (June 7, 1959).

Battle of New Orleans by Jimmy Driftwood (Original version, 1958)

Battle of New Orleans by the Nitty Gritty Dirt Band (1974)

Battle of New Orleans by Ray Stevens with Johnny Rich

The Ella B

The Ella B by the Amazing Rhythm Aces (1975)

Walking To New Orleans (Bobby Charles [Robert Charles Guidry], Antione "Fats" Domino, Jr., & Dave Bartholomew, 1960) (C and NN)
Antione "Fats" Domino, Jr., was a hero of Bobby Charles. When Domino stopped on tour in Lafayette, Louisiana, he invited Charles into his dressing room, and regretted he did not have a copy of his new record to give to Charles, but invited Charles to come visit him in Domino's home of New Orleans. Charles replied, "I don't have a car. If I'd go, I'd have to walk." Afterwards, the thought remained on Charles's mind, and he said he wrote the song for Domino in some 15 minutes.
After he got to New Orleans to accept Domino's invitation, Charles sang "Walking to New Orleans" for Domino. Domino was enthusiastic about the number. Producer Dave Bartholomew made an orchestration for the backup band, and Domino, Bartholomew, and band recorded it in Cosimo Matassa's studio on Rampart Street. After the recording was made, Bartholomew decided to overdub a string section from the New Orleans Symphony; use of classical strings was unusual for early rock and roll.
Walking To New Orleans, Wikipedia; Fats Domino, Wikipedia; Fats Domino Official Website; Grammy Hall of Fame.

Walking To New Orleans by Fats Domino (1960)

Domino was one of the pioneers of rock and roll music, who had eleven Top 10 hits in six years, 37 Top 40 singles -- more 25 of them gold -- and who sold more than 65 million records. This song was inducted into the Grammy Hall of Fame in 2011.

Way Down Yonder In New Orleans (John Turner Layton, Jr. & Henry Creamer, 1922)
First published in 1922, it was advertised by Creamer and Layton as "A Southern Song, without A Mammy, A Mule, Or A Moon", a dig at some of the Tin Pan Alley clichés of the era. It was performed at The Winter Garden Theater in New York in Act 2 of the Broadway musical production "Spice of 1922." It has been frequently covered and has appeared in numerous TV commercials, radio and TV shows, and movies. It's been written that Freddy Cannon's 1959 version became the first record in the rock era to have a full brass section. Way Down Yonder In New Orleans, Wikipedia.

Sheet Music:

The full lyrics: Way Down Yonder In New Orleans

Way Down Yonder In New Orleans by Fred Feild, the "Sheet Music Singer" (Complete; displays the sheet music while the song is being sung)

Way Down Yonder In New Orleans by Freddy Cannon (1960)

Way Down Yonder In New Orleans by the Peerless Quartet (Includes first verse, chorus; said to be the first recording, 1922)

Way Down Yonder In New Orleans by Dean Martin from "Swingin' Down Yonder" (1955)

Way Down Yonder In New Orleans by Jan and Dean from "Surf City And Other Swingin' Cities" (1963)

Way Down Yonder In New Orleans by Bing Crosby and Louis Armstrong for their album "Bing & Satchmo" (1960)

When the Saints Go Marching In

When The Saints Go Marching In by Louis Armstrong

When The Saints Go Marching In by Louis Armstrong and his All-Stars from the album "Louis Armstrong at the Crescendo No. 1"

When The Saints Go Marching In by Johnny Cash

When The Saints Go Marching In by Mormon Tabernacle Choir

When The Saints Go Marching In by The Dukes of Dixieland

When The Saints Go Marching In by B.B. King

When The Saints Go Marching In by Elvis Presley, with Red Wes and Arthur Hooten

When The Saints Go Marching In by The Temptations

You’re No Good

You're No Good by Linda Ronstadt from "Heart Like A Wheel" (1974)

You're No Good by Dee Dee Warwick (1963)

You're No Good by Betty Everett (1963)

You’re No Good by the Swinging Blue Jeans (1964)

 

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